Subjects in the Noise = Bad Pictures
Perfect Exposure Everytime
Get It Right Everytime
You got to be quick on set and seeing your exposure is key. This DCTL makes it easy to see what a post production pipeline is going to do to your image to make sure your subjects are in the perfect exposure zone. Easily shake and bake luts with your look dev choices underneath and never put your subject into the noise floor, because there is only so much your colorist can fix.
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